票1986背景
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票1986

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  • 年份:1986年
  • 地区:韩国
  • 语言:韩语
  • 时长:未知
  • 更新:2026-08-21 02:12:13
  • 简介:Min Ji-suk runs a ticket barwhere customers can purchase tickets for certain ser

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剧情简介
Min Ji-suk runs a ticket barwhere customers can purchase tickets for certain servicesin the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.

《票1986》剧照

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《票1986》最近评论

山猫成仙喵 8分

故事还能再圆圆。整体能看明白。80年代的电影,写的竟然都是当下的故事。。。

张翔森 6分

釜山电影节看的。具有一定的探索性,具有一定的实验性,具有一定的思想性。老板娘演得不错。

欢乐分裂 6分

哪里的天空不下雨,风月场上岂有真心可言,凉薄人世向来如此;疯了也好,暂把世事抛,女性生存的艰难何曾改过。

m
mandyzyx 6分

VS 沟口《赤线地带 (1956)》;Korean Classic Film youtube频道;

云雾敛 6分

坐落于女招待电影消亡后延长线上的电影,并竭力重返此类早期作品中触碰的现实问题,但又因80年代初色情电影的兴起,加入了不少作为性爱客体的女性身体奇观。也因此造就了呈现现代化过程中农村女性悲惨现实时携带了太多剥削性场景的状况。比以往同样聚焦这个问题的电影相比,更近一步的是,在大的发展进程内写了家庭内景,凸显出父权制中的压迫与恋爱关系中的牺牲,感情中的吸血与制度性的缺陷并置,这一里外之和的呈现完善了银幕...

Q
QQ 闕歌 8分

四星。8.2/10。Ticket bar

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